THE
VINYL JUNKIES FIX
I log unto www.naked-music.com
and I am pleasantly introduced to the sites trademark picture
of a seductive figure urging me to Come In. I do so and
am met with an eye-catching website. The art direction and design is
amazing, consistent with this record labels 12" releases. And
that is why I am herefor high quality soulful music on the now
less than universal format of the record (CD seemed to have filled the
gap that vinyl left behind). Dont get me wrong, vinyl never left
the market it just laid low while the CD made a mark. But, many people
still believe that the stereophonic record (vinyl) doesnt exist.
That it went the way of the 8-track tape, Halston fashions and roller-skates.
But that is farther from the truth. In fact, there is a substantial
market reinforced by the introduction of the web and other media, which
include a whole new breed of independent record labels that thrive solely
on the manufacture and sale of the vinyl record (like the aforementioned
Naked Music Recordings). This rise-again profile for vinyl has introduced
a brand new way of interacting with music itself. What is happening
today that makes vinyl relevant in multimedia today? And where will
it take us in the future?
In 1877 Thomas Edison
turned the crank of his latest invention and heard it repeat a nursery
rhyme that he had just spoken into its mouthpiece. The world has never
been quite the same again. That rudimentary "talking tinfoil" launched
a musical and social revolution that is progressing today with technology
at its side. Unfortunately, Edison did not envision this for he deserted
the project and hoped someone else would take enough interest and proceed
from there. That is just what happened. Even though the phonograph had
fallen on dismal days, there was the assurance of its promise that continued
to haunt a few isolated souls. One of these was Alexander Graham Bell,
who had shown considerable interest since its infancy. He took EdisonÕs
creation and refined it in several important particulars. The cylinder-like
tinfoil used to reproduce the sounds, was replaced by cardboard coated
with wax (a term now used in reference to the record in urban culture),
in which the recording stylus engraved the pattern of its vibrations
into narrow grooves-- and the record was conceptualized!
Who would have thought
that without this medium, music would not be where it is today. The
Beatles phenomenon would have been non-existent. Studio 54, the infamous
coke-laden disco of New York City would never have been known, in fact,
would probably never have happened. With the connection that the disc
jockey, the records and the audience had, along with the introduction
of new music application technology like the analog mixer, there was
great opportunity for interactive media to take place. And that continues
up until today, but, even more so with the birth of the Internet and
access to endless technology. Image attending a musical event/gathering
with the focus on the DJ manipulating records to come up with new sounds
and incite emotions from the crowd. But, what is more amazing is that
often times these events are broadcasted over the World Wide Web and
are accessible to anyone. One could easily log on and share the same
experience. The user might even have the choice of purchasing the music
or the DJs work, which some companies focus on exactly that. Guidance
Recordings has developed an excellent website containing their back
catalogue consisting mainly of vinyl. What Guidance do thatÕs so interesting
is that they have real-audio files of all their releases sampled from
the vinyl itself (to the trained ear it would be obvious). One would
image that they would use a more digital source (like the DATÑmaster
copy) for a digital context. There is also Groovetech.com where browsing
through their database of vinyl is synonymous with many links like clothing,
more music and products. Vinyls longevity can be measured with
the emergence of these websites catering to it.
Music would also not
have been as sophisticated as it is today. Without having something
like vinyl to set the standard, there would not have been any real leap
towards various music formats. But it all depends on the individual.
Some might argue that the record adds more life to the recording; that
the bass and treble response give depth, and the CD taking away from
that. Others swear that the CD is impeccable, picking up any frequency
possible. There is also the MiniDisc, which has not deleted the record
and is a little expensive. Whichever way one sees the stereophonic record,
it is always going to exist. It will push the boundaries of music even
further, partaking in the age of communication. Permanently staking
its place in the global village.
Geovanni
is currently attending SAIT with the intention of pursuing a career
as a Graphic Artist. An avid music fan, he is knowledgeable in music
with a lot of "SOUL" and canÕt get enough of wax.
Source:
Technics SL1200 MKll image taken from:
www.turntablelab.com